General
Video

Degree 11: Secondary Dominant and its parallel scales

9 Lessons Advanced

About this course

As you will see in the next lessons, jazz happens on the dominant chords and that’s why we have different scales for using them on the dominant chords.

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Course Structure

Secondary Dominant

Secondary Dominants - theory

Secondary dominants scales and rules

Secondary Dominants - scales and rules

Mixolydian scale

Mixolydian scale

Lydian b7 scale

Lydian b7 scale

Dominant diminished scale

Dominant diminished scale

Whole tone scale

Whole tone(note) scale

Harmonic fifth scale

Harmonic fifth scale (HMV)

Super locryan – altered scale

Super locryan – altered scale

Using dominant scales

Using dominant scales

  • Robert A.Cuadra says:

    This is my daily warm-up!

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